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Christopher Kevranian Christopher Kevranian

Blackhat – Comparing the Theatrical and Director’s Cuts

Blackhat was released on January 15, 2015 (123 minutes) – the Theatrical Cut. This cut of the film had a last minute, last-minute restructuring of the original timeline of the film. Information on why these changes were made and the various versions of the films released over the years can be found here. The Director’s Cut (122 minutes) premiered at a special screening in February 2016, had a limited broadcast run in 2017, and will be released on home video for the first time on November 28, 2023. This is Mann’s preferred version of the film and restores the structure to its original chronology along with other changes.

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Christopher Kevranian Christopher Kevranian

Everything we know about UNREALISED MICHAEL MANN PROJECTS *UPDATED*

From 1981 to 2023, Michael Mann only made 12 feature films, with the gap between each film widening. However, over these three decades, Mann’s name has been attached to a myriad of fascinating projects. The range of these projects is startling - anywhere from a contemporary media mogul drama to a medieval archer story and everything in between. Below is a list of these projects with brief details, including when they were announced and if any news followed their announcements. There are likely even more films than mentioned here, and one can hope we, as an audience, get to see some of these one day.

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Blake Howard Blake Howard

THE ROYAL HOTEL w/ KITTY GREEN

To celebrate the release of a new Australian outback thriller THE ROYAL HOTEL, I talk with writer/director Kitty Green about the differences between narrative and documentary cinema, the balance of time and style, Julia Garner choosing her own own love interest, and so much more.

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Blake Howard Blake Howard

SLANT w/ Sigrid Thornton + Michael Nikou + James Vinson + Monique Fisher

To celebrate the roadshow release of a new Australian Neo-Noir ("Yeah Noir") SLANT, I talk with writer/star Michael Nikou, director James Vinson, producer Monique Fisher and the icon Sigrid Thornton about shooting chronologically, being "in for a penny, in for a pound" making an independent original film and so much more.

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