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Raimi leans into the tactile. Bodies are constantly under assault. Fluids, impact, proximity. It is gleeful in a way that borders on deranged, but always controlled. The disgust is not incidental. It is the joke.
To celebrate the release of WOLFRAM, I talk with director Warwick Thornton about his gentle sequel to SWEET COUNTRY, surfacing untold Australian history, strange rhymes with BLUEY, and facing the challenge of making something with the power and impact of poison (Sweet Country) and being compelled to create an antidote (Wolfram).
"One thing that's really interesting to me...is that one of our great cultural critics is Stephen King... the basically the first big review of Red Dragon in the I think it was in the Washington Post in 1981, and it is not only a rave, but it is completely 100 spot on. Red Dragon is like stepping into a limousine where everything works... perfectly."
In this very special bonus episode of MINHUNTER, I speak to the extremely talented journalist, author and podcaster Brian Raftery about his great new novel, HANNIBAL LECTER - A LIFE.
Cinema is life to The Secret Agent’s writer and director, Brazilian critic-turned-filmmaker Kleber Mendonça Filho.
All the preparation in the world will not prepare you for the surreal moment when a previously unnoticed slide door opens, and Ethan Hawke steps through.
Features
So the film exists in two states. As a complete object, it is monumental, fluid, overwhelming in its design. As a memory, it remains something fractured, two meals served separately, each with its own aftertaste.